Character Profile – Gorr

You hear this roar.  So loud it rumbles in your chest. You don’t know who they cheer for. What they cheer for.  Victory, glory, or death.
Gorr

There’s really only two things you need to know about Gorr. He’s a big man, with a big laugh. A man who crushes mead steins on his head, and laughs heartily at his own foolishness. Gorr can be imposing, and he’s damn sure intimidating, but only when he isn’t smiling. When he puts his big paws on his belly and roars, all the fears inside you are swept away.

You could say he’s a gentle giant, but he’s hardly gentle to bandits. He might pet a mudcrab, but if he’s hungry it won’t stop him from eating it. He’s a man with his own code, but not the brooding type who spends all day thinking about it. He goes where his stomach takes him, or he’ll flip a bandit and let you call it in the air. Heads we go this way. Tails we go that way. Yet in the end, it doesn’t really matter. As long as you’re going somewhere, there’s adventure to be had.

People often tell me they love Gorr’s voice, and by proxy, they love Nile’s voice as well. I think it’s safe to say, however, that Nile sounds nothing like Gorr. That’s how much range he has an actor.  His original audition for Gorr was more of a raspy, sinister voice. What I wanted was something that filled the room, a voice that made his foes tremble and his friends rally. With this in mind, Nile went back in the lab, jacked up the bass, and Gorr spoke for the first time.

The original difficulties weren’t surprising in the least. From squatter to wanderer, follower to marriage candidate, Gorr’s development has always been a bit circuitous. Most times I have an idea of who the character is going to be, but in some cases, they’re molded out of something far more nebulous. Gorr, for instance, was a character who was built around a concept. It wasn’t about a big brute who loved horkers, or even the lore of the Imperial City Arena. From the beginning, Gorr was a character that was fashioned out of my love of sports.

But that’s the beauty of the Arena, ain’t it. Nothing’s ever written, nothing’s ever known.

When you write a story, there’s always a line you can’t cross. There’s a point of demarcation where the reader loses their sense of disbelief. If halfway through Gorr’s arena story, I said he went back to his quarters and fucked a unicorn, that would be grounds for an uninstall. The beauty of sports is, that line can be crossed every day. Unbelievable things happen. Unicorns may or may not be fucked. You just never know. That’s why we watch – to see that 40 point comeback, or the underdog beating the undefeated champion. We’re amazed when the old, overpaid star, redeems himself with a single game, after you and everyone else had buried him and prayed for the groundskeeper to rake off his face. In sports, you’re free to imagine. Whether it’s a kid attending his first baseball game, or a little Redguard sneaking his way into the Imperial City Arena, it’s the same. Nothing is written. There’s no hand guiding you to a single end. You never lose your sense of wonder.

That’s why we cheer. Why we’re so passionate about watching a bunch of grown men play with balls and sticks. Sports is the closest thing we have to a meritocracy, and the closest thing we have to the surreal. Every year there are thousands of articles and blog posts and talk radio rants that try to unravel the alchemy of it all, and every year there’s an outcome that leaves us holding our alembic. In the information age, when everything is researched and perused and analyzed, when algorithms predict the future with startling accuracy and all the answers are there at the click of a mouse, there’s something to be said about being surprised, even when the outcome isn’t all that surprising.

The Grand Champion can win a hundred matches and name a skeever as his next opponent, and the audience will still hold their breath. Unlike the stories, it’s always a surprise when the hero wins.  ‘Cause in the Arena, the hero’s allowed to fail.

Meet the Actor – Deedee Harwood

Everyone has a different opinion on what a male Dark Elf should sound like.  There are raspy voices cut from the Ashlands of Morrowind, the Australian accent used in Skyrim, and whatever it was they used in Oblivion.  With female voices, there are no quarrels, no police cuffing the developers for murdering their childhoods.  Although generally, most would agree that you want your Dark Elves – male, female, or transgender – to sound, well, dark.

Finding a voice for Gilsi wasn’t easy, because while she was a cold, unforgiving Dunmer, she was also young and petulant.  Deedee’s voice had that perfect cocktail of maturity mixed with a shot of innocence, and I’m not just saying that because I’ve recently taken up drinking.  She was fantastic.  In addition to being all things fantastical she was also Australian, which blended that much better with her male counterparts.

When I decided to set up this blog, Deedee was actually the first guinea pig I contacted, being the newest voice addition.  I was actually going to time the release of this post with the new version, but things got delayed and plans got changed.  Thus, the questions are a bit thin compared to the others, but Deedee did her best not to be offended.

How did you find out about the mod?
My daughter Kaitlyn introduced me to it. She was voicing Yseld and encouraged me to try out for Gilsi.

What do you think of the character you voiced?
Gilsi is awesome. I love her haughtyness. I can understand her jealously towards Eldawyn and her absolute infatuation with Nelos. She was extremely fun and easy to play, perhaps that’s because MAYBE i’m too much like her. I look forward to voicing her in the future.

Do you share any similar traits with Gilsi?
Lol…possibly, most definitely. I certainly don’t let people walk over me. She is strong willed like me. And I find that jealously can actually be your undoing.

How are you different?
Hmm. I think I have more heart because I don’t think I could kill a relative… OH and I don’t have pointy ears….damn.

Gilsi is an Ice Mage, Are you more of a Ice, Fire, Wind or Lightning kind of person?
I’ve been told many times I can be very ‘cold’ but damn I can go off like a firecracker!  :P

What do you think of Gilsi’s look and character design?
I think she’s perfect, I think her look is perfect. When my daughter and I first saw a screenshot of her we both exclaimed “SHE HAS YOUR HAIR!” Like me she is attractive…and she takes care of her appearance. I like the fact that she doesn’t give a damn what people think…well..except for her Nelos.

Were you a fan of Skyrim before working on this project?
Actually no, but I am now. :) I had only seen the game lying around at home.

What are your favourite video games?
I lean towards Final Fantasy. Most likely because its turn based, I find it easier since I’m new to the gaming scene.

What are your thoughts on bees?
Funny enough I love bugs! And often feel sorry for them and perform a rescue. I have been known to wear live rhinoceros beetles as jewellery and scare my co workers.

What kind of Mic do you use and what difficulties did you run into in your recording environment?
I use Kait’s microphone which is a Samson C01U USB Condenser Microphone and the rest of her equipment. Thanks to Kris and his excellent suggestions, I was able to modify our lounge room with rugs on the floor, Blankets on the windows and blankets hanging on each side of the microphone on clothes drying racks and this helped eliminate echo and noise from the computer.

Do you have any previous acting experience?
None what so ever but I seriously enjoyed this opportunity to voice Gilsi.

What made you interested in voice acting?
I wanted to have an interest in what my daughter’s hobby’s are.

Your email says you’re in Australia, Who would win in a fight a Kangaroo and Russell Crowe?
I seriously think it would be the Roo, Those big ones can rip you apart and kill you.

If you play Skyrim what sort of character would you play?
I’m going to play Skyrim….probably some sort of mage since I love the magical classes.

I would like to thank Kris for choosing me to voice Gilsi. It was an awesome experience and lots of fun and I look forward to working with him in the future.

Character Profile – Morviah Hlaalu

Behind the icy veneer, in the privacy of our bedrooms and in our most intimate of thoughts, all mortals turn to those emotions that are timeless.
Morviah Hlaalu

I’m a sucker for old timey movies.  Not the movies themselves – I would rather french kiss a werecroc than sit through two hours of prehistoric cinema – but the idea of the classic film.  The black and white aesthetic.  Film noir cool.  The leading man with a cigarette in one hand, a shot of whiskey in the other, and a dame on his lap reading him the news.

I’m a sucker for those old romances.   That high society class.  Grace Kelly.  Lauren Bacall.  I’m a sucker for Ingrid Bergman, leaning over a table with those glassy eyes, imploring the piano man to play it again.  Play “As Time Goes By.”  Part of me wonders if Sam should just say, “Fuck you, Miss Ilsa, I play what I want,” but the other part of me gets completely sucked in.

Morviah Hlaalu was written in one of the self-deluded dream fevers where my entire mental state was locked in the 1940s.  I had Ingrid Bergman in my head and Dooley Wilson in my ears, and while it was an era full of war and turmoil and hills of beans that didn’t amount to anything, the fundamental things would outlast all of them.  Those are the things that mattered.


Morviah’s story is about love in a time of war.  It’s about two people finding each other and the world conspiring to keep them apart.

It couldn’t have happened anywhere other than Windhelm.   The atmosphere of the city is cold and bleak.  The Nord/Dunmer dynamic, and its connection to the racial strife of the 50s and 60s stretches to literally every corner of the city – even the name New Gnisis Cornerclub sounds like a title for a jazz album.  There’s tension, and there’s animosity.  So when Morviah drops a flower and Balrund lifts it off the ground, it’s supposed to mean something.   Somehow, through the cracks of hard, uneven stone, love finds a way to bloom.

Or something like that.  With the story written and Dooley Wilson now having moved into my ear and watching TV on the cushions of my cochlea, the next task was to find an actor.  Most of the existing roster was good, but their voices were relatively young, more Audrey Hepburn than Katharine.  Morviah required a more regal, authoritative voice.   It was by chance, when listening to Lila Paws‘ recording of Anum-La, that she snuck her normal voice into the track, just to announce the line number.  I’d probably corresponded with her for months and listened to her do half a dozen characters prior to that, and it wasn’t until then that I actually heard her real voice.

It was as if she was there, giving me that look, asking me to play that song.  A man waits his entire life to see that look, but thankfully, I didn’t have to wait that long.